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                  <text>Ceramica e Fornaci di S. Giovanni </text>
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                  <text>&lt;div style="text-align: justify;"&gt;La località di San Giovanni alla Vena, nel comune di Vicopisano, è stata caratterizzata dalla presenza di attività legate alla &lt;strong&gt;ceramica&lt;/strong&gt; (presenti ancora oggi) che raggiunsero il loro apice nel corso della prima metà del XX secolo. &lt;br /&gt;&lt;br /&gt;Ad ogni modo, grazie ai documenti dell'archivio vicarese, è stato possibile retrodatare e documentare un'attività su vasta scala fin dal XVI secolo, testimoniata dalla presenza di ben 27 fornaci da vasellame da mensa, che ha permesso alla piccola località di essere inserita nel novero dei più importanti centri di produzione ceramica della Toscana. &lt;br /&gt;&lt;br /&gt;San Giovanni fu favorita dalla presenza di ampi depositi di argilla deposti dall'Arno e dalla facilità del commercio, anch'esso facilitato dalla presenza del fiume e di numerosi navicellai.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&#13;
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                <text>Elenco delle fornaci da calcina e vasellami presenti nella Podesteria</text>
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                <text>Note delle fornaci esistenti nella Podesteria di Vicopisano. Vengono specificate anche le tipologie di manufatti prodotti (mattoni, vasellame da mensa, etc.). Di ciascuna fornace si da la localizzazione, la tipologia e il nome del gestore.</text>
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                <text>Consoli del Mare di Pisa</text>
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                <text>Turni di lavoro dei navicellai del Vicariato che erano stati incaricati di andare a Pisa per caricare grani da portare a Firenze ai magazzini dell’Abbondanza. I navicellai dovevano osservare un totale di sei turni di sette giorni, intervallati da un periodo di riposo di circa un mese. I turni sono distribuiti su un periodo che va da Dicembre 1630 a Giugno 1631.</text>
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                <text>Archivio Giudiziario, Atti civili dei Vicari, 187 (182)</text>
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&lt;li&gt;&lt;strong&gt;Arte di Grascia&lt;/strong&gt;: Non esisteva come "Arte" autonoma nelle corporazioni medievali fiorentine; il termine si riferiva ai mercanti di carne e animali vivi (macellai, bovari), che facevano parte delle Arti Minori (spesso associata all'Arte dei Beccai) e non godevano dello stesso prestigio politico delle Arti Maggiori.&lt;/li&gt;&#13;
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                  <text>&lt;div style="text-align: justify;"&gt;Le Arti fiorentine sono state uno degli strumenti più efficaci che hanno portato la città di Firenze al vertice delle città italiane nel medioevo.&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;Attraverso il raggruppamento per Arti, ovvero le corporazioni dei mestieri della città, si costituì una forma di potere economico e politico fondamentale per la crescita di Firenze, realizzata mediante il controllo, la tutela e lo sviluppo delle attività produttive cittadine sia all'interno dello Stato che sui mercati esteri.&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;Furono uno strumento di affermazione e ascesa sociale per le classi popolari e borghesi che potettero così competere con i membri delle antiche casate nobiliari. Entrarono in crisi a partire dal '300, quando si fece più acuto lo scontro politico interno alla città, per avviarsi al declino nel corso del Quattrocento, sotto la prima Signoria medicea.&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;Nel '500, con l'affermazione definitiva della casata de' i Medici, il potere politico delle Arti fu definitivamente cancellato per essere trasformate in semplici associazioni di mestieri.&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;L'Università di "&lt;strong&gt;Por San Pieri&lt;/strong&gt;", alla quale fanno riferimento questi documenti, riuniva &lt;strong&gt;Beccai,&amp;nbsp; Fornai e Oliandoli&lt;/strong&gt; e tra le altre cose controllava "le matricole" cioè i pagamenti delle quote necessarie per poter aderire all'Arte e poter esercitare il proprio mestiere.&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;Negli elenchi presenti nell'archivio di Vicopisano compaiono anche altri mestieri legati all'alimentazione, come i "caciaioli", i merciai, i pizzicagnoli ed i bottegai in genere.&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;L'analisi della concentrazione di determinati mestieri in specifiche località rende evidente come le caratteristiche ambientali influenzassero fortemente le tipologie di lavoro presenti:&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;nelle zone montane lontane dal fiume si sviluppano attività legate alla sfruttamento dei prodotti del bosco (castagni ed olivi);&lt;/li&gt;&#13;
&lt;li&gt;dove i torrenti sono numerosi la loro energia idraulica è utilizzata per i mulini;&lt;/li&gt;&#13;
&lt;li&gt;la presenza di rocce calcaree porta allo sviluppo di attività estrattive;&lt;/li&gt;&#13;
&lt;li&gt;dove il fiume deposita l'argilla lì sorgono le manifatture di ceramiche e mattoni;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
in un legame indissolubile tra ambiente e comunità umane che sarà stabile sino allo sviluppo delle industrie moderne, che porteranno ad un sovvertimento ed alla scomparsa dei mestieri tradizionali.&lt;/div&gt;</text>
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                  <text>&lt;div style="text-align: justify;"&gt;Ancora oggi, seppur in tono minore rispetto al passato, una delle produzioni tipiche del paese di Buti è la realizzazione di &lt;strong&gt;ceste intrecciate di castagno&lt;/strong&gt;, i &lt;strong&gt;corbelli&lt;/strong&gt;.&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;Per il suo carattere di artigianato minore, legato all'utilizzo di un materiale povero quale la corteccia del castagno, si potrebbe pensare che anche nei secoli scorsi questa fosse un'attività residuale di limitato interesse.&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;In realtà la consultazione di questi documenti proietta questa manifattura nel contesto dei grandi cantieri edilizi della Toscana del secondo cinquecento, che vedevano i Medici intenti a edificare la Firenze capitale del loro Stato.&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;L'abilità dei butesi nella lavorazione del castagno e nella realizzazione delle ceste li rendeva assai ricercati, in quanto questo manufatto era utilizzato come contenitore per il movimento della terra ed anche per le operazioni a piè di cantiere che necessitavano di recipienti per la calcina.&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;Ecco che dalle carte individuate si evince come nel ‘500 questa produzione interessasse anche le maggiori fabbriche edilizie della Toscana:&lt;/div&gt;&#13;
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&lt;div&gt;Firenze con gli erigendi Uffizi o il Ponte di Santa Trinità;&lt;/div&gt;&#13;
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&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
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                <text>Atti civili dei Vicari</text>
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                <text>La data presente sulla carta è nello stile “ad incarnationem” nella variante fiorentina</text>
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&lt;div style="text-align: justify;"&gt;Per il suo carattere di artigianato minore, legato all'utilizzo di un materiale povero quale la corteccia del castagno, si potrebbe pensare che anche nei secoli scorsi questa fosse un'attività residuale di limitato interesse.&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;In realtà la consultazione di questi documenti proietta questa manifattura nel contesto dei grandi cantieri edilizi della Toscana del secondo cinquecento, che vedevano i Medici intenti a edificare la Firenze capitale del loro Stato.&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;L'abilità dei butesi nella lavorazione del castagno e nella realizzazione delle ceste li rendeva assai ricercati, in quanto questo manufatto era utilizzato come contenitore per il movimento della terra ed anche per le operazioni a piè di cantiere che necessitavano di recipienti per la calcina.&lt;/div&gt;&#13;
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            <description>An entity primarily responsible for making the resource</description>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Bizzarri, Pompilio &lt;sottoprovveditore della fortezza di Pisa&gt;</text>
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          <element elementId="224">
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                <text>de’ Rossi, Giovan Battista di Noferi &lt;vicario&gt;</text>
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          <element elementId="189">
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            <description>A summary of the resource.</description>
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                <text>Bizzarri, Pompilio</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Pisa; Buti</text>
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            <description>A language of the resource</description>
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                <text>italiano</text>
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            <description>A related resource that is substantially the same as the pre-existing described resource, but in another format.</description>
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                <text>1 carta</text>
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            <description>The material or physical carrier of the resource.</description>
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                <text>Archivio Giudiziario, Atti civili dei Vicari, 196 (192)</text>
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                <text>Archivio Storico Vicopisano – sez. preunitaria</text>
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&lt;div style="text-align: justify;"&gt;Per il suo carattere di artigianato minore, legato all'utilizzo di un materiale povero quale la corteccia del castagno, si potrebbe pensare che anche nei secoli scorsi questa fosse un'attività residuale di limitato interesse.&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;In realtà la consultazione di questi documenti proietta questa manifattura nel contesto dei grandi cantieri edilizi della Toscana del secondo cinquecento, che vedevano i Medici intenti a edificare la Firenze capitale del loro Stato.&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;L'abilità dei butesi nella lavorazione del castagno e nella realizzazione delle ceste li rendeva assai ricercati, in quanto questo manufatto era utilizzato come contenitore per il movimento della terra ed anche per le operazioni a piè di cantiere che necessitavano di recipienti per la calcina.&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;Ecco che dalle carte individuate si evince come nel ‘500 questa produzione interessasse anche le maggiori fabbriche edilizie della Toscana:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
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&lt;div&gt;Firenze con gli erigendi Uffizi o il Ponte di Santa Trinità;&lt;/div&gt;&#13;
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&lt;div style="text-align: justify;"&gt;Siena e Grosseto, da poco entrati nell'orbita medicea, con le fortezze costruite dai Medici per il loro controllo.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&#13;
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                  <text>&lt;div style="text-align: justify;"&gt;Ancora oggi, seppur in tono minore rispetto al passato, una delle produzioni tipiche del paese di Buti è la realizzazione di &lt;strong&gt;ceste intrecciate di castagno&lt;/strong&gt;, i &lt;strong&gt;corbelli&lt;/strong&gt;.&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;Per il suo carattere di artigianato minore, legato all'utilizzo di un materiale povero quale la corteccia del castagno, si potrebbe pensare che anche nei secoli scorsi questa fosse un'attività residuale di limitato interesse.&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;In realtà la consultazione di questi documenti proietta questa manifattura nel contesto dei grandi cantieri edilizi della Toscana del secondo cinquecento, che vedevano i Medici intenti a edificare la Firenze capitale del loro Stato.&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;L'abilità dei butesi nella lavorazione del castagno e nella realizzazione delle ceste li rendeva assai ricercati, in quanto questo manufatto era utilizzato come contenitore per il movimento della terra ed anche per le operazioni a piè di cantiere che necessitavano di recipienti per la calcina.&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;Ecco che dalle carte individuate si evince come nel ‘500 questa produzione interessasse anche le maggiori fabbriche edilizie della Toscana:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
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&lt;div&gt;Firenze con gli erigendi Uffizi o il Ponte di Santa Trinità;&lt;/div&gt;&#13;
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&lt;div style="text-align: justify;"&gt;Siena e Grosseto, da poco entrati nell'orbita medicea, con le fortezze costruite dai Medici per il loro controllo.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&#13;
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                <text>Si richiedono “400 corbellini da sassi” per i baluardi di Firenze, specificando che “là non se ne trovano”. Si chiede che siano di buona qualità e che siano spediti “al baluardo del prato” a Firenze</text>
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